Update: For $0.89 Amazon will sell you an mp3 of the song as performed by Johnny Mercer and Nat King Cole. Here are details: Original Release Date: April 6, 1942; MP3 Release Date: January 12, 1999; Label: Capitol; Song Length: 3:04 minutes.
Here's a recent, abbreviated version by the Jumpin' Joz Trio.
The song was written by Danny Barker and Vernon Lee and the version most people know is performed by Nat King Cole & Johnny Mercer.
Here's the full lyric
Here's the Q & A from the interview of Jones:
SAVE THE BONES FOR HENRY JONES
(Danny Barker / Vernon Lee aka Michael H. Goldson)
Nat King Cole & Johnny Mercer
We’re gonna have a supper
We’ll eat some food that’s rare
And at the head of the table
We’ll place brother Henry’s chair
Invite all the local big dogs
We’ll laugh and talk and eat
But we’ll save the bones for Henry Jones
‘Cause Henry don’t eat no meat
Today I’ll go to market
Buy up a lotta fish
Well, that will thrill brother Henry
‘Cause fish is his special dish
Get a large can of molasses
Have something really sweet
But we’ll save the bones for Henry Jones
‘Cause Henry don’t eat no meat
Henry is not a drinker
He rarely takes a nip
He don’t need a napkin
‘Cause the things he eats don’t drip – blip!
One day we had a banquet
It really was a bake
They started off with short ribs
Then finished off with steak
But when the feast was over
Brother Henry just kept his seat
And we served the bones to Henry Jones
‘Cause Henry don’t eat no meat
Our banquet was most proper
Right down to demitasse
From soup to lox and bagels
And pheasant under glass – class!
We thought the chops were mellow
He said his chops were beat – reet!
We served the bones to Henry Jones
‘Cause Henry don’t eat no meat
He’s an egg man
Henry don’t eat no meat
He loves a pullet
Henry don’t eat no meat
A vegetarian
Henry?
Coming mother!
Soup’s on
NG: Do you think your own poetry and fiction somehow manifests, as does some other Beat poetry and literature, the black street language of the time? For example, there's some in your memoir, but not as much as, say, what we see in Diane di Prima's early poetry,.
Jones: Yeah, I don't mean to accuse Diane wrongly, but think I wouldn't have done it that way. She was just being hip. I feel that hers was really an adaptation, in a way. Mine comes out of the language of my young adulthood that I have always used. I'm always surprised that people laugh at the things I say. For instance, once in response to a friend of mine I said, "Yeah, you just ain't bumpin' your gums!" And she said, "What? What is that? Did you learn that from your children?" But, no, that was just an old 40s expression that became a part of my language. I also know and am more intimately involved with what we-I guess-call black culture than most adults of my age. I was at a conference last week, and began to sing, "Save the bones for Henry Jones, 'cause Henry don't eat no meat." And people looked at me like I just stone crazy! "What is that" they said. And I said, "It's a song from the 40s." Then I told this story to an older black man, and he laughed and laughed. He understood. So, that's that what I know, and it comes out in my language. I don't feel it as an adaptation.
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